My review of Jessie Reyez’s debut album for The Globe and Mail: https://www.theglobeandmail.com/arts/music/article-jessie-reyezs-long-awaited-album-before-love-came-to-kill-us-is-soul/

My debut for The Globe and Mail:   https://www.theglobeandmail.com/arts/music/article-five-years-later-kendrick-lamars-to-pimp-a-butterfly-rings-truer/

Check out my new piece on diversity initiatives and minority representation in Areo Magazine: https://areomagazine.com/2020/03/09/three-diversity-initiatives-and-why-they-failed/

Check our my piece on political hypocrisy and Kendrick Lamar’s song “The Blacker The Berry”: https://dailygerm.com/2020/02/26/political-hypocrisy-kendrick-lamars-the-blacker-the-berry-five-years-later/

Check out my first published album review for Toronto magazine Exclaim!: https://exclaim.ca/music/article/070_shake-modus_vivendi Here's an excerpt: "Nevertheless, Modus pulsates with an infectious vibrancy and scintillates with bittersweet sentimentalism. It's superproducer Mike Dean and former Canadian rock band the Stills member Dave Hamelin who provide Shake with the lush sonic canvas for lyrical catharsis."  

Honored to be featured in NY Post’s Friday editorial! I consider myself a political centrist with liberal tendencies so I do not necessarily agree with some of the other writing in this editorial but I'm still incredibly grateful to be recognized for my analysis of Kanye West! Link below:   https://nypost.com/2019/12/13/hard-leftism-loses-in-the-uk-and-other-commentary/

Hey guys, Just published an article on Kanye West in City Journal---the official publication of the Manhattan Institute. Before you check out my piece, here are links to some of my favorite recent reads in the City Journal that are incredibly insightful (highly recommend you check out the first one):   https://www.city-journal.org/html/myth-criminal-justice-racism-10231.html https://www.city-journal.org/how-to-be-an-antiracist https://www.city-journal.org/html/misreading-minimum-wage-and-race-16127.html  ... Continue Reading →

A rigorous analysis of Kanye's transcendent composition "Water."